Pitt-Greensburg art exhibit showcases Black experiences

Harmony Cardenas

Watercolor paintings, emotion-stuffed pictures, bold quotations and a lot more line the sidewalk outside the house Chambers Corridor at Pitt-Greensburg.

The artwork helps make up “Black Lives in Concentration,” a multimedia show that places Black experiences in the campus highlight.

The show, which includes 21 art panels and 10 text panels, has traveled to all of Pitt’s campuses, with Pitt-Greensburg remaining the very last prevent. The Hempfield campus will showcase the exhibit by way of April 1.

Pitt-Greensburg President Robert Gregerson reported he hopes the exhibit fosters a campus dialogue as pupils see by themselves in the artwork or discover about other perspectives.

“I believe art is a way that you can have far more meaningful discussions,” Gregerson claimed. “I believe art can be provocative.”

Lots of parts in the exhibit rejoice Black lifestyle or advocate for racial justice. The artists and writers highlighted in the show have ties to Pitt or Southwestern Pennsylvania.

Pamela Cooper, an award-winning artist from Greensburg, has two parts in the show.

Cooper’s to start with piece, “At Peace,” is a black-and-white photograph that she took when at church. Through the service, her minister’s young son curled up in her lap and fell asleep.

The positioning of the boy’s arms was “expressive” and “poetic,” and Cooper stated she “couldn’t help” but seize the moment.

Cooper thinks the photograph demonstrates the perception of local community, peace and safety found in Black church buildings.

“(‘At Peace’) absolutely demonstrates what it is like in the Black group in the church realm and how we depend on our religious assistance and non secular beliefs to hold pushing forward,” Cooper said.

Cooper’s next piece in the exhibit is a watercolor portrait of teen singer Keedron Bryant. Cooper titled the portray “I Just Wanna Live” just after Bryant’s viral song about law enforcement brutality.

Cooper drew from her personal experiences of racial injustice when painting the portrait.

“(‘I Just Wanna Live’) was an outcry of my irritation — and I’m certain of other people’s frustrations — simply because of the brutality, injustice and not currently being listened to or found,” she mentioned.

“(College is) a harmless haven where by you can have an open up dialogue, talk freely and understand,” Cooper explained.

Maddie Aiken is a Tribune-Critique employees author. You can make contact with Maddie by email at [email protected] or by means of Twitter .

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